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	<title>Visual &#8211; Multiple Journalism</title>
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	<title>Visual &#8211; Multiple Journalism</title>
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		<title>Partnership CleenVerify</title>
		<link>https://multiplejournalism.org/news/partnership-cleenverify/</link>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Wed, 15 Apr 2026 15:57:33 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[deepfake]]></category>
		<category><![CDATA[disinformation]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://multiplejournalism.org/?p=1298</guid>

					<description><![CDATA[Multiple Journalism has started a partnership with Dutch start-up CleenVerify, a company developing technology to help people verify whether photos and videos are real. Its system uses hardware-backed cryptography to digitally sign images and videos at the moment they are captured, creating a verification link that can later be checked in a browser. The start-up [&#8230;]]]></description>
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									<p>Multiple Journalism has started a partnership with Dutch start-up <a href="http://cleenverify.com" target="_blank" rel="noopener">CleenVerify</a>, a company developing technology to help people verify whether photos and videos are real. Its system uses hardware-backed cryptography to digitally sign images and videos at the moment they are captured, creating a verification link that can later be checked in a browser. The start-up says this is designed to address a growing “truth problem” online, where deepfakes, scams and manipulated visual content are becoming harder to distinguish from authentic material.</p><figure id="attachment_1588" aria-describedby="caption-attachment-1588" style="width: 225px" class="wp-caption alignright"><img fetchpriority="high" decoding="async" class="size-medium wp-image-1588" src="https://multiplejournalism.org/wp-content/uploads/2026/04/Headshot-Candas-225x300.jpg" alt="CEO Candaş Uygun" width="225" height="300" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/Headshot-Candas-225x300.jpg 225w, https://multiplejournalism.org/wp-content/uploads/2026/04/Headshot-Candas-768x1024.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/04/Headshot-Candas-1152x1536.jpg 1152w, https://multiplejournalism.org/wp-content/uploads/2026/04/Headshot-Candas-570x760.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/04/Headshot-Candas.jpg 1536w" sizes="(max-width: 225px) 100vw, 225px" /><figcaption id="caption-attachment-1588" class="wp-caption-text">CEO Candaş Uygun</figcaption></figure><p>For journalism, that challenge is urgent. Newsrooms, researchers and the public are increasingly confronted with manipulated visuals, fake profiles and AI-generated media that can be used to mislead audiences, fuel disinformation and undermine confidence in reporting. CleenVerify positions its technology as a way to prove that a photo or video was captured live, remains unaltered and is linked to a device-generated digital fingerprint.</p><p>That mission connects closely to the work of Multiple Journalism. Our organisation is committed to strengthening journalism in an age of platform manipulation, algorithmic distortion and synthetic media. By partnering with CleenVerify, we aim to explore how verification technology can support reporters, researchers and storytellers working in high-risk information environments.</p><p>This collaboration is rooted in a shared belief: trust in journalism cannot be taken for granted. It must be built, tested and made visible. As visual deception becomes more sophisticated, tools that help verify authenticity are becoming increasingly important for the future of reporting.</p><p>Together with CleenVerify, Multiple Journalism will look at how this technology can contribute to more transparent journalistic practices and greater resilience against online deception.</p>								</div>
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		<item>
		<title>Next Media Animation</title>
		<link>https://multiplejournalism.org/case/visual/next-media-animation/</link>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Tue, 03 Feb 2026 19:14:04 +0000</pubDate>
				<category><![CDATA[Cases]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://multiplejournalism.org/?p=618</guid>

					<description><![CDATA[Next Media Animation provides the "missing images" of the news by producing news animations based on news feeds and factual reporting for international media outlets.]]></description>
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									<h1><strong>Next Media Animation</strong></h1><p>Next Media Animation (NMA) provides the &#8220;missing images&#8221; of the news by producing news animations based on news feeds and factual reporting for international media outlets.</p>								</div>
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									<p> </p><p><strong><span class="article-meta__title">When</span> </strong></p><p><span class="article-meta__data">2007</span></p><p><strong><span class="article-meta__title">Where</span> </strong></p><p><span class="article-meta__data">Taiwan</span></p><p><strong><span class="article-meta__title">Who</span> </strong></p><p><span class="article-meta__data js-read-more">Jimmy Lai (chairman and founder), Richard Chuang (co-chairman), Kith Ng (CEO), <span class="details"> Ben Wong (executive production director), Michael Logan (news director), Meggie Lu (head of production) and many others</span></span></p>								</div>
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									<h5><strong>What is it?</strong></h5><p>For many breaking news stories, images are not readily available. An airplane crash or terrorist attack is usually not captured on video, as footage is only recorded after the event. NMA&#8217;s News Direct service solves this problem by offering increasingly realistic, 3D animated news videos of actual events within two hours of breaking news.</p>								</div>
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									<p>NMA website: &#8220;Animation is the future of the news. When there are no video cameras present to capture a big story, NMA is able to fill in the blanks with animated news graphics for our viewers and clients in industry-leading turnaround times.&#8221;</p>								</div>
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									<p>Convinced that the future of the news is visual, business man Jimmy Lai founded NMA in 2007 to produce entertainment videos for online publishers and TV broadcasters. He then realized that NMA should also provide &#8220;the missing images of the news&#8221; to serious news outlets through a separate News Direct service, which produces realistic, 3D animations in a sophisticated, high speed production process.</p>								</div>
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															<img decoding="async" width="894" height="670" src="https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-21.58.34-e1770154763255.png" class="attachment-large size-large wp-image-681" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-21.58.34-e1770154763255.png 894w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-21.58.34-e1770154763255-300x225.png 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-21.58.34-e1770154763255-768x576.png 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-21.58.34-e1770154763255-570x427.png 570w" sizes="(max-width: 894px) 100vw, 894px" />															</div>
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									<p>Based in an industrial area in Taipei, NMA now is one of the largest animated news studios in the world, with a team of over 600 animators, script writers, and motion capture actors working on continuous shifts 24 hours a day. Using the latest technologies in 3D animation design, motion capture, and facial scanning, NMA delivers up to sixty 30-second unique news videos every day, equalling the production value and technical quality of a feature length, Hollywood style movie, produced in three days.</p><p>In addition to creating realistic news images that are &#8220;missing&#8221;, NMA also supplies animated graphics to clarify complex issues and visually enhance news reports by adding a new dimension that can help viewers understand news stories.</p>								</div>
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									<p>While the News Direct animations and graphics are sold directly to clients like BBC and CNN, and distributed by Reuters to more than 35 international clients, including Al-Jazeera, Univision, Yahoo!, MSNBC and so on, Tomo News offers celebrity news and other &#8220;funny video&#8221; mainly through its own website and other online publishers.</p>								</div>
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									<p>Together, NMA’s videos generate about 90 million views online each month and have been featured on the Daily Telegraph, Bild, Der Spiegel, Focus, Wired, The Huffington Post, The Globe and Mail, The Daily Show, NBC Bay Area, The New York Post, KDVR and other media outlets.</p>								</div>
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									<h5><strong>How does it work?</strong></h5><p>The production of animated news is a race against time. At NMA, it is organized as an industrial, 24-hour pipeline involving a sequence of teams, each executing a specialized stage of the production process in a continuous cycle.</p><p>Throughout the day, on the top floor, the news director monitors incoming news feeds and selects stories fit for animation. Every hour, the selected news stories are announced to the news writers and fact checkers, who write an animation script for the story based on factual sources and hand it down to the story boarders one floor below.</p>								</div>
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									<p>After approval of the scripts during a storyboard meeting, the storyboard is handed over to the animators on yet a lower floor. The news animator will draw from an extensive database of virtual faces, bodies, and environments to actually build the animation itself. The animation is then given a &#8220;soul&#8221; by the motion capture actors, who impersonate the animated characters with their human movements in a 24/7 motion capture studio.</p>								</div>
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									<p>After a layer of info graphics and titles is added to the story, the news video is offered to Reuters clients. Animations of breaking news stories are updated every hour. Kith Ng, CEO of NMA, believes that 3D animation in video news will change the digital news industry.</p>								</div>
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									<h5><strong>Next Media vs China</strong></h5><p>Next Media Animation is privately owned by Jimmy Lai, who is also the founder and chairman of the Next Media group, the largest publicly listed media company in Hong Kong. It is best known for introducing tabloid style journalism in Hong Kong and Taiwan, publishing lifestyle magazines, web portals and tabloid newspapers, including Apple Daily, Sharp Daily and Next Magazine.</p>								</div>
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															<img decoding="async" width="1024" height="577" src="https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-22.50.55-1024x577.png" class="attachment-large size-large wp-image-682" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-22.50.55-1024x577.png 1024w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-22.50.55-300x169.png 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-22.50.55-768x433.png 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-22.50.55-570x321.png 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-22.50.55-528x297.png 528w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-22.50.55.png 1096w" sizes="(max-width: 1024px) 100vw, 1024px" />															</div>
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									<p>Next Media is often perceived as supporting democratic groups in Hong Kong, sometimes provocatively, and regularly critiques the Chinese government. As a result, founder Jimmy Lai ispersona non gratain China and all Next Media publications are banned in the People&#8217;s Republic of China, though not in Hong Kong and Taiwan.</p>								</div>
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			<iframe class="elementor-video-iframe" allowfullscreen allow="clipboard-write" title="vimeo Video Player" src="https://player.vimeo.com/video/105348583?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t="></iframe>		</div>
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									<p>Animated news originally started with Tomo‘s entertainment news videos about celebrities, offered through QR-codes in the Next Media magazines. The videos were extremely popular and shared on social media by millions of people in Hong Kong and Taiwan.</p><p>NMA founder Jimmy Lai realised that the lack of images of essential events in serious news media created a need for realistic animations. He then decided to start NMA’s News Direct service.</p>								</div>
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									<h5><strong>Why did we select it?</strong></h5><p>NMA opens the door to a future of journalism in which reality itself is (re)created in computers, raising important ethical questions about what it means &#8220;to bring the truth&#8221; in digital times.</p><p>In the new field of animated news, NMA is a pioneer and world leader with considerable impact globally. It has invented a new genre, accelerated the pace and scale of production, and continuously improves the aesthetics by investing in state of the art hardware and software.</p><p>CEO Kith Ng’s goal is to further speed up the production process and reach 100% realistic news animation in 2016. We can only begin to imagine what this will mean for news consumers.</p>								</div>
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							<div class="elementor-wrapper elementor-open-inline">
			<iframe class="elementor-video-iframe" allowfullscreen allow="clipboard-write" title="vimeo Video Player" src="https://player.vimeo.com/video/105510313?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=0#t="></iframe>		</div>
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									<p>The use of 3D animation in journalism raises important questions. To what extent is news animation telling the truth? How objective is it? Are storyboard artists and animators journalists? Is news animation different from photo journalism, which is often manipulated as well?</p><p>And how will news animations influence the credibility of news reports in the long term? These questions, relevant for the future of journalism as a public good, need to be debated.</p>								</div>
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									<h5><strong>Comparable to NMA?</strong></h5><p>The Taiwanese animation studio is the first company to produce news animations for media outlets on a large scale. There are no precedents and innovation happens by trial and error; often, for example, news writers draft scripts of news events deemed unachievable by the animators.</p>								</div>
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				If we would like to show a scene of a hundred people running the marathon, it wouldn't be possible due to the limitations of computer capacity			</p>
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											<cite class="elementor-blockquote__author">Meggie Lu</cite>
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									<p>Meggie Lu: &#8220;There are some restrictions on what we can do at this moment. For example, if we would like to show a scene of a hundred people running the marathon, it wouldn&#8217;t be possible due to the limitations of computer capacity. Currently, the computer isn&#8217;t able to render so many people in two hours.&#8221; Hopefully, says Lu, these technical problems will be solved in a few years time.</p>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">Related Cases</h6>				</div>
				<div class="elementor-element elementor-element-66454030 elementor-grid-3 elementor-grid-tablet-2 elementor-grid-mobile-1 elementor-posts--thumbnail-top elementor-widget elementor-widget-posts" data-id="66454030" data-element_type="widget" data-e-type="widget" data-settings="{&quot;classic_columns&quot;:&quot;3&quot;,&quot;classic_columns_tablet&quot;:&quot;2&quot;,&quot;classic_columns_mobile&quot;:&quot;1&quot;,&quot;classic_row_gap&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:35,&quot;sizes&quot;:[]},&quot;classic_row_gap_tablet&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]},&quot;classic_row_gap_mobile&quot;:{&quot;unit&quot;:&quot;px&quot;,&quot;size&quot;:&quot;&quot;,&quot;sizes&quot;:[]}}" data-widget_type="posts.classic">
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				<article class="elementor-post elementor-grid-item post-618 post type-post status-publish format-standard has-post-thumbnail category-case category-visual tag-visual czr-hentry" role="listitem">
				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/visual/next-media-animation/" tabindex="-1" >
			<div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="300" height="136" src="https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42-300x136.png" class="attachment-medium size-medium wp-image-626" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42-300x136.png 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42-570x258.png 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42-517x235.png 517w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42.png 622w" sizes="(max-width: 300px) 100vw, 300px" /></div>
		</a>
				<div class="elementor-post__text">
				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/visual/next-media-animation/" >
				Next Media Animation			</a>
		</h3>
				<div class="elementor-post__excerpt">
			<p>Next Media Animation provides the &#8220;missing images&#8221; of the news by producing news animations based on news feeds and factual reporting for international media outlets.</p>
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				</div>
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				<article class="elementor-post elementor-grid-item post-519 post type-post status-publish format-standard has-post-thumbnail category-case category-visual tag-visual czr-hentry" role="listitem">
				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/visual/firestorm/" tabindex="-1" >
			<div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="300" height="239" src="https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris-300x239.jpg" class="attachment-medium size-medium wp-image-521" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris-300x239.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris-768x612.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris-570x454.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris.jpg 969w" sizes="(max-width: 300px) 100vw, 300px" /></div>
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				<div class="elementor-post__text">
				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/visual/firestorm/" >
				Firestorm			</a>
		</h3>
				<div class="elementor-post__excerpt">
			<p>An online interactive story about a family&#8217;s harrowing experience during a severe bush fire in Tasmania that integrates various media in visually innovative ways.</p>
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		<item>
		<title>Firestorm</title>
		<link>https://multiplejournalism.org/case/visual/firestorm/</link>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Tue, 03 Feb 2026 01:36:15 +0000</pubDate>
				<category><![CDATA[Cases]]></category>
		<category><![CDATA[Visual]]></category>
		<guid isPermaLink="false">https://multiplejournalism.org/?p=519</guid>

					<description><![CDATA[An online interactive story about a family's harrowing experience during a severe bush fire in Tasmania that integrates various media in visually innovative ways.]]></description>
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									<h1><strong>Firestorm</strong></h1><p>An online interactive story about a family&#8217;s harrowing experience during a severe bush fire in Tasmania that integrates various media in visually innovative ways.</p>								</div>
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			<iframe class="elementor-video-iframe" allowfullscreen allow="clipboard-write" title="vimeo Video Player" src="https://player.vimeo.com/video/68364603?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=0&amp;portrait=0&amp;byline=0#t="></iframe>		</div>
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									<p> </p><p><strong>When</strong></p><p>2013</p><p><strong>Where</strong> </p><p>United Kingdom</p><p><strong>Who</strong> </p><p>The Guardian<span class="article-meta__data js-read-more">; Jon Henley, Laurence Topham, Daan Louter, Francesca Panetta, <span class="details"> Jonathan Richards, Mark McCormick, Iain Chambers, Jane Ulman, Mark Heather, Julia Chapman, Kim Chakanetsa</span></span></p>								</div>
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									<h5><strong>What is it?</strong></h5><p>Firestorm takes the dramatic personal story of the Holmes family during a bush fire as a narrative anchor and embeds this human story in a broader context of the history of bush fires in Tasmania and global climate change.</p><p>It makes use of various media &#8211; including audio and video footage, interviews, writing, photography and maps &#8211; to produce a visually compelling and immersive interactive story. This interactive story seeks a fine balance between personal and contextual information, interaction and linear flow.</p><p>The project is the result of an intense collaboration between writer Jon Henley and the interactive team at The Guardian. In connection with the launch of Firestorm, Guardian Books published an accompanying eBook relating the story of the town of Dunalley.</p>								</div>
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									<h5><strong>How does it work?</strong></h5><p>During the great bush fire, Grandpa Tim Holmes used his smartphone to take pictures of his wife Tammy and five grandchildren clinging onto the jetty of a lake where they sought refuge from the fire. Right after the fires, the pictures of the Holmes family became world famous, an event that provides the starting point for the multimedia storytelling in Firestorm.</p>								</div>
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				<iframe width="1140" height="200" frameborder="no" src="https://w.soundcloud.com/player/?visual=false&amp;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2259204854&amp;show_artwork=true&amp;maxheight=1000&amp;maxwidth=1140&amp;auto_play=false&amp;buying=false&amp;liking=true&amp;download=true&amp;sharing=true&amp;show_comments=false&amp;show_playcount=false&amp;show_user=false&amp;color"></iframe>			</div>
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									<p>The project for an interactive story was launched by The Guardian UK in collaboration with The Guardian Australia, which provided the opportunity to share resources and create a unique and labor-intensive story. The Guardian turned the Holmes family images into a rich magazine-like visual interactive, reconstructing the Holmes’ experience of that dark day.</p><p> </p>								</div>
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									<p>Firestorm creatively embeds a variety of sources in a compelling linear storyline that uses the dramatic photos shot by the family to bring to life a wealth of contextual information. The project reads like an e-book, divided in chapters and enriched with loads of embedded content that smoothly pops-up to enhance the power of storytelling.</p>								</div>
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															<img loading="lazy" decoding="async" width="1000" height="770" src="https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm4-FCaris-e1770144205997.jpg" class="attachment-large size-large wp-image-589" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm4-FCaris-e1770144205997.jpg 1000w, https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm4-FCaris-e1770144205997-300x231.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm4-FCaris-e1770144205997-768x591.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm4-FCaris-e1770144205997-570x439.jpg 570w" sizes="(max-width: 1000px) 100vw, 1000px" />															</div>
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									<p>Firestorm, which took three months to produce, credits twenty-three people. See this analysis by The Poynter Institute: &#8220;How on-going teamwork fuelled The Guardian&#8217;s Firestorm interactive&#8221;. Although few newsrooms have the kind of resources that The Guardian was able to commit, the inspiring experiment with layered, multimedia storytelling that Firestorm represents can be replicated on a smaller scale.</p><p>The keys to its success were early and realistic planning, and smooth collaboration between editorial, design and technical departments, which allowed the story to evolve alongside technical editing.</p>								</div>
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									<h5><strong>Why did we select it?</strong></h5><p>Firestorm is selected for its creative and innovative multimedia storytelling. It connects compelling visuals and texts to develop a contextual story about climate change and smoothly embeds video and audio sources in a non-fiction narrative to create a new kind of immersive reading experience.&#8221;</p>								</div>
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				<iframe width="1140" height="200" frameborder="no" src="https://w.soundcloud.com/player/?visual=false&amp;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2259548894&amp;show_artwork=true&amp;maxheight=1000&amp;maxwidth=1140&amp;auto_play=false&amp;buying=false&amp;liking=true&amp;download=true&amp;sharing=true&amp;show_comments=false&amp;show_playcount=false&amp;show_user=false&amp;color"></iframe>			</div>
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									<p>A few similar interactive visual storytelling are Snow Fall, Last 32 hours of Martin Luther King (multimedia storytelling), and The New York Times’ Boston Marathon attack multimedia story.</p><p>Other fine examples are Medium (online platform for stories written by independent journalists and writers), and The Magazine (online paid-subscribers magazine, based on a theme with five medium to long articles of independent authors).</p>								</div>
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									<p>TED Books are shorter than a novel, but longer than a magazine article. TED Books are typically under 20,000 words and embed audio, video and social features in every book.</p>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">Related Cases</h6>				</div>
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				<article class="elementor-post elementor-grid-item post-618 post type-post status-publish format-standard has-post-thumbnail category-case category-visual tag-visual czr-hentry" role="listitem">
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				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/visual/next-media-animation/" tabindex="-1" ><div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="300" height="136" src="https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42-300x136.png" class="attachment-medium size-medium wp-image-626" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42-300x136.png 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42-570x258.png 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42-517x235.png 517w, https://multiplejournalism.org/wp-content/uploads/2026/02/Scherm­afbeelding-2026-02-03-om-20.46.42.png 622w" sizes="(max-width: 300px) 100vw, 300px" /></div></a>
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				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/visual/next-media-animation/" >
				Next Media Animation			</a>
		</h3>
				<div class="elementor-post__excerpt">
			<p>Next Media Animation provides the &#8220;missing images&#8221; of the news by producing news animations based on news feeds and factual reporting for international media outlets.</p>		</div>
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				<article class="elementor-post elementor-grid-item post-519 post type-post status-publish format-standard has-post-thumbnail category-case category-visual tag-visual czr-hentry" role="listitem">
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				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/visual/firestorm/" tabindex="-1" ><div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="300" height="239" src="https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris-300x239.jpg" class="attachment-medium size-medium wp-image-521" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris-300x239.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris-768x612.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris-570x454.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/130917-Firestorm1-FCaris.jpg 969w" sizes="(max-width: 300px) 100vw, 300px" /></div></a>
				<div class="elementor-post__text">
				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/visual/firestorm/" >
				Firestorm			</a>
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				<div class="elementor-post__excerpt">
			<p>An online interactive story about a family&#8217;s harrowing experience during a severe bush fire in Tasmania that integrates various media in visually innovative ways.</p>		</div>
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