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	<title>Networks &#8211; Multiple Journalism</title>
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		<title>Foreign disinformation networks target Spain’s elections</title>
		<link>https://multiplejournalism.org/news/foreign-disinformation-networks-target-spains-elections-through-ai-fake-news-and-coordinated-manipulation/</link>
					<comments>https://multiplejournalism.org/news/foreign-disinformation-networks-target-spains-elections-through-ai-fake-news-and-coordinated-manipulation/#respond</comments>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Mon, 09 Nov 2026 17:57:14 +0000</pubDate>
				<category><![CDATA[News]]></category>
		<category><![CDATA[disinformation]]></category>
		<category><![CDATA[fake news]]></category>
		<category><![CDATA[Networks]]></category>
		<category><![CDATA[propaganda]]></category>
		<category><![CDATA[Russian disinformation]]></category>
		<guid isPermaLink="false">https://multiplejournalism.org/?p=2196</guid>

					<description><![CDATA[An investigation by Golden Owl, an AI-powered open-source intelligence research platform, has uncovered extensive foreign-linked disinformation networks targeting Spain’s upcoming general election on 29 November 2026.]]></description>
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									<p>The <a href="https://goldenowl.ai/resources/research/The-Invisible-Arsenal-Hybrid-Threats-to-Spain-2026-Elections" target="_blank" rel="noopener"><span style="color: #3366ff;">research</span></a> reveals how Russian-aligned actors, foreign-operated Facebook pages, artificial intelligence and coordinated social media campaigns are being used to spread fabricated political narratives and undermine trust in democratic institutions.</p><h5>From Moscow to Spanish voters</h5><p>One of the investigation’s most significant findings concerns a Spanish-language Telegram network operated from Moscow by Enrique Arias Gil, a political scientist wanted by Spanish authorities over his alleged involvement with the pro-Russian hacktivist collective NoName057(16).</p><p>According to the report, his Telegram channel published recruitment advertisements offering Spanish citizens up to $3,000 per month and $25,000 signing bonuses to join the Russian Army. Other messages solicited confidential information about Spanish officials and encouraged participation in cryptocurrency-funded cyberattacks.</p><p>The channel operates within a broader network of Spanish-language Telegram accounts with approximately half a million combined subscriptions. These channels redistribute pro-Kremlin narratives, often within minutes, connecting Russian sources to established political audiences in Spain.</p><h5>Influencing Spanish political debate?</h5><p>Between 20 August and 5 November 2026, Golden Owl examined 54,737 social media items across Facebook, Instagram, TikTok, YouTube, X and Telegram, alongside dark-web intelligence. Using its AI-assisted investigation platform Noctua, researchers identified 41,509 election-related items, analysed 28,516 in detail and mapped 10,773 accounts.</p><p>The findings expose several distinct operations capable of influencing Spanish political debate, although researchers found no evidence that these activities had altered voting behaviour or compromised electoral infrastructure.</p><h5>Fake Spanish newsrooms operated from Vietnam</h5><p>The investigation also uncovered twelve Facebook pages presenting themselves as Spanish news or community outlets while operating through a network linked to Vietnam.</p><p>Together, the pages attracted approximately 270,000 followers. Some used Spanish addresses and patriotic advertisements to establish credibility before publishing fabricated political stories.</p><p>One advertisement encouraged users with the message &#8220;If you love Spain&#8221;, attracting predominantly Spanish audiences, including older users. From late October, the pages increasingly published invented political statements and election-related controversies.</p><p>Researchers traced the operation through Meta transparency records, advertising payments, shared domains and publishing infrastructure.</p><p>The report describes the phenomenon as &#8220;the industrialisation of deceptive influence&#8221;, showing how commercial content farms can manufacture seemingly independent political voices while generating advertising revenue.</p><h5>Disinformation crosses borders within minutes</h5><p>The investigation demonstrates how rapidly misleading narratives can travel between countries and platforms.</p><p>Following the deadly railway collision near Urda on 28 October, unsupported sabotage allegations appeared online within 36 minutes. A fabricated quotation attributed to Israeli Prime Minister Benjamin Netanyahu subsequently circulated through international accounts, with one Argentina-based account generating more than 606,000 views.</p><p>Researchers also documented how electoral fraud allegations originating in Latin American political discussions reached Spanish audiences, with related claims spreading between accounts in Argentina and El Salvador within 29 minutes.</p><p>AI-generated imagery, synthetic political content and coordinated account networks further amplified misleading narratives about postal voting, electoral fraud and political scandals.</p><h5>A challenge for journalism and democratic resilience</h5><p>For journalists investigating disinformation, the report illustrates the importance of combining open-source intelligence, platform transparency data, network analysis and AI-assisted verification.</p><p>Golden Owl emphasises that the documented activities do not necessarily belong to one centrally coordinated operation. Their combined impact nevertheless creates vulnerabilities in the information environment.</p><p>As the researchers conclude, &#8220;Spain’s democratic process will depend not only on the security of the ballot, but on the ability of its institutions, media and citizens to recognise and resist the invisible arsenal now operating within its information space.&#8221;</p><p>The findings demonstrate how disinformation increasingly operates through interconnected digital infrastructures that can exploit breaking news, manufacture credibility and spread misleading narratives faster than traditional verification processes can respond.</p>								</div>
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		<title>Metropolis TV</title>
		<link>https://multiplejournalism.org/case/networks/metropolis-tv/</link>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Mon, 09 Nov 2026 01:56:52 +0000</pubDate>
				<category><![CDATA[Cases]]></category>
		<category><![CDATA[Networks]]></category>
		<category><![CDATA[video journalism]]></category>
		<category><![CDATA[worldview]]></category>
		<guid isPermaLink="false">https://multiplejournalism.org/?p=2178</guid>

					<description><![CDATA[A weekly TV foreign affairs magazine and website made by a global network of 50 video journalists contributing unique stories within the same broad theme.]]></description>
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									<h1><strong>Metropolis</strong></h1><p>A weekly TV foreign affairs magazine and website made by a global network of 50 video journalists contributing unique stories within the same broad theme.</p>								</div>
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									<h5><strong>When</strong></h5><p>2008</p><h5><strong>Where</strong> </h5><p>Netherlands</p><h5><strong>Who</strong> </h5><p><span class="article-meta__data js-read-more">Stan van Engelen, Bregtje van der Haak, Alex Klippel, Loe Schout, IJsbrand van <span class="details"> Veelen and many others at VPRO Television. Supported by Hivos and NCDO. Currently, it is broadcasted by HUMAN.</span></span></p><h5><strong>Website</strong></h5><p><a href="http://human.nl/metropolis" target="_blank" rel="noopener"><span style="color: #3366ff;">human.nl/metropolis</span></a></p>								</div>
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									<h5><strong>What is it?</strong></h5><p>Metropolis is a global network of 50 video journalists in 45 countries managed from The Netherlands. Every week, it brings together the director&#8217;s cuts of about 10 short video reports from various countries on one shared theme on a website.</p>								</div>
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									<p>These reports are also recut into a succesful 30-minute weekly TV magazine for youth. Metropolis has worked with over 90 journalists and filmmakers in 80 countries in the past five years.</p>								</div>
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									<p>These reports are also recut into a succesful 30-minute weekly TV magazine for youth. Metropolis has worked with over 90 journalists and filmmakers in 80 countries in the past five years.</p><p>The bilingual website (Dutch/English) offers options to browse by country, topic, or correspondent, and includes hundreds of contributions from correspondents in countries like Azerbaijan, Swaziland, Yemen, Greenland, Ecuador, Mongolia and Venezuela on topics ranging from police and teachers, to obesity, polygamy, and the perfect body.</p>								</div>
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									<p>The project was initiated by VPRO public television in The Netherlands to bring a wider variety of global voices to the fore and is supported by NGOs with an interest in diversity and freedom of expression. Metropolis has run successfully for five years and resulted in a remarkable collection of authentic and intimate stories from the daily lives of citizens all over the world.</p>								</div>
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															<img fetchpriority="high" decoding="async" width="1024" height="576" src="https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-correspondent-1024x576.jpg" class="attachment-large size-large wp-image-2180" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-correspondent-1024x576.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-correspondent-300x169.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-correspondent-768x432.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-correspondent-1536x864.jpg 1536w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-correspondent-570x321.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-correspondent-1110x624.jpg 1110w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-correspondent-528x297.jpg 528w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-correspondent.jpg 1920w" sizes="(max-width: 1024px) 100vw, 1024px" />															</div>
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									<p>The Metropolis TV format has been adapted for several countries, including Belgium, Bulgaria, Greece and Nicaragua.</p>								</div>
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									<h5><span style="color: #333333;"><strong>How does it work?</strong></span></h5><p>The Metropolis team consists of one executive producer, one commissioning editor, a video editor and four regional producers. It is based in The Netherlands and issues a weekly call to the network for story ideas relating to a specific theme.</p>								</div>
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									<p>Themes vary widely and range from occasional news subjects with a global impact (e.g. the election of a new pope, the Olympic games) to human interest and broader cultural themes (e.g. homosexuality, education).</p><p>In the past, calls for story ideas have included questions such as: What is it like to be a fifteen-year-old girl in your country? What does it take to get a driver’s licence? Could you profile an &#8220;outsider&#8221; in your country? An adolescent? A gay person? An addict?</p>								</div>
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									<p>Local correspondents look for remarkable and previously unreported stories within these broad themes and pitch them to the Metropolis editors. The ten best story ideas within one theme are then selected, commissioned, produced by the video journalists in their country, uploaded to the Metropolis server in The Netherlands, and subtitled in Dutch and English.</p><p>The local directors are paid a competitive rate in their countries for producing, shooting, directing, and editing the stories. The stories are published full length (6-10 minutes) as &#8220;director’s cuts&#8221; on the bilingual Metropolis website and also recut into a 30 minute weekly foreign affairs TV magazine on Dutch national television.</p>								</div>
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									<p>Occasionally, Metropolis uses the network to produce specials and feature length documentaries, e.g. the 60 minute documentary “Coming to the City,” which gave the abstract trend of urbanization a human face by profiling five people in five countries who moved to the city from the countryside.</p><figure id="attachment_2181" aria-describedby="caption-attachment-2181" style="width: 300px" class="wp-caption alignright"><img decoding="async" class="size-medium wp-image-2181" src="https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-presentator-300x226.jpg" alt="" width="300" height="226" srcset="https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-presentator-300x226.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-presentator-1024x771.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-presentator-768x578.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-presentator-1536x1156.jpg 1536w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-presentator-2048x1541.jpg 2048w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-presentator-570x429.jpg 570w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption id="caption-attachment-2181" class="wp-caption-text">Presenter Stef Biemans</figcaption></figure><p>The secret of Metropolis is the quality of its network of excellent video journalists, who have been carefully recruited through open calls, film festivals, film schools, and journalism organizations. They are then further trained and coached by the regional producers in the Netherlands.</p>								</div>
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									<h5><strong>Why did we select it?</strong></h5><p>Metropolis’ modular project structure is flexible and innovative and makes it suitable for use on various platforms and in diverse cultural contexts. Multiple short video stories provide building blocks that can be &#8220;welded&#8221; together in a weekly TV program and/or watched individually on the Internet and mobile platforms. Broadcasters can add their own local anchor to construct a &#8220;glocalized&#8221; TV magazine with high quality global reporting at low cost.</p><p>This networked approach to global affairs reporting and the practice of archiving all directors&#8217; cuts online results in a growing collection of intimate video stories, which adds insight into the peculiarities of everyday life and common human experience all over the world. By providing up to 50 perspectives on the same issue, Metropolis presents a truly global range of voices, some of them from countries where freedom of expression is limited and little information is available through regular news channels.</p>								</div>
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															<img decoding="async" width="1024" height="939" src="https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-character-1024x939.jpg" class="attachment-large size-large wp-image-2183" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-character-1024x939.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-character-300x275.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-character-768x704.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-character-570x523.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-character.jpg 1254w" sizes="(max-width: 1024px) 100vw, 1024px" />															</div>
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									<p>Online, the individual reports can be navigated in a variety of ways, depending on the viewer’s interests. Watch it as a meticulously crafted 30-minute TV programme or watch individual items online or via mobile phone. The Metropolis website features an original yet practical search engine.</p><p>Producer Alex Klippel: &#8220;My dream for Metropolis is a big server with all stories combined globally and one bureau in every country, tapping from the server to make its own programme locally. It is not easy, but possible. We have to just do it!&#8221;</p><h5><strong>Compare</strong></h5><p>Taking advantage of global digital networks, many new journalism projects are experimenting with new possibilities to cut costs and add quality and cultural diversity to foreign reporting at the same time. While many traditional institutions are downsizing or eliminating foreign buros, several online platforms are now specializing in high quality global reporting presenting a multiplicity of  voices: Global Voices, Global Post, VJ Movement, Associated Reporters Abroad, Africa Interactive, and the TED Open Translation Project.</p>								</div>
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		]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Hong Kong In-Media</title>
		<link>https://multiplejournalism.org/case/networks/hong-kong-in-media/</link>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Sun, 26 Jul 2026 12:20:48 +0000</pubDate>
				<category><![CDATA[Cases]]></category>
		<category><![CDATA[Networks]]></category>
		<guid isPermaLink="false">https://multiplejournalism.org/?p=1931</guid>

					<description><![CDATA[An open public platform, free from political intervention and commercial influence, which promotes democracy and freedom of speech in Hong Kong.]]></description>
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									<h1><strong>Hong Kong In-Media</strong></h1><p>An open public platform, free from political intervention and commercial influence, which promotes democracy and freedom of speech in Hong Kong.</p>								</div>
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									<p><strong>When</strong></p><p>2004</p><p><strong>Where</strong> </p><p>China</p><p><strong>Who</strong> </p><p><span class="article-meta__data js-read-more">Oiwan Lam, Iam Chong Ip, Chow Sze Chung, Fredie Ho Lun Chan</span></p><p><strong>Website</strong></p><p><span style="color: #3366ff;"><a style="color: #3366ff;" href="http://inmediahk.net" target="_blank" rel="noopener">inmediahk.net</a></span></p>								</div>
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									<h5><strong>What is it?</strong></h5><p>Hong Kong In-Media is the most influential independent online media platform in Hong Kong. It is also the oldest in the territory, having operated since July 2004. Since the 1997 political transition, China’s &#8220;one country, two systems&#8221; policy allows Hong Kong a degree of media autonomy, but widespread self-censorship and media monopolies threaten the diversity of opinions.</p><p><img loading="lazy" decoding="async" class=" wp-image-1935 alignright" src="https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic-300x223.jpg" alt="" width="358" height="266" srcset="https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic-300x223.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic-1024x762.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic-768x571.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic-570x424.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic.jpg 1102w" sizes="(max-width: 358px) 100vw, 358px" />Confronted with this reality, the co-founders of HK In-Media aim to create an open public platform free from political intervention or commercial influence, in order to promote democracy and freedom of speech in Hong Kong.</p><p>After a decade, the online traffic volume of HK In-Media surpasses 10,000 visitors per day. While it focuses on local news and opinions in Hong Kong, in text as well as multimedia, its influence continues to grow with more active coverage of social-political issues in Greater China and Southeast Asia.</p>								</div>
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									<h5><strong>How does it work?</strong></h5><p>Combining professional reporting with crowdsourced content, HK In-Media maintains a team of citizen reporters, while also encouraging the public to upload news and commentaries on a wide range of issues.</p>								</div>
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									<p>HK In-Media delivers timely and accurate news due to its &#8220;professional&#8221; reporting by citizen journalists working for the organization on a volunteer basis. This involves internship programs offering training in news production to students and citizens.</p><p>After training, they are able to deliver high-quality citizen journalism reports with enthusiasm. The organization also works to preserve the diversity of opinions on its website.</p>								</div>
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									<p>It almost never deletes articles or commentaries (unless there is hate speech or commercial spam). And deleting messages requires the prior approval of more than half of the members of HK In-Media.</p><p>In order to maximize its independence, HK In-Media accepts no donations from corporations or political parties. Instead, it relies on long-term membership support and project-based revenue from work with NGOs and foundations in Hong Kong and overseas.</p>								</div>
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									<h5><strong>Why does it succeed?</strong></h5><p>The achievements of HK In-Media reflect timing and persistence. HK In-Media offers an open and equal opportunity platform on the Internet. It brings together intellectual resources from different social groups: media workers, activists, university students, freelance writers, grassroots citizenry, researchers and educators.</p><p>The voices represent a wide range of opinions, thus facilitating democratic deliberation. United by a consensus that online news and discussion needs to break from political and commercial control, HK In-Media inspires considerable support from Hong Kong citizens, especially from young people.</p>								</div>
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															<img loading="lazy" decoding="async" width="1024" height="700" src="https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic2-1024x700.jpg" class="attachment-large size-large wp-image-1936" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic2-1024x700.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic2-300x205.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic2-768x525.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic2-570x390.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic2.jpg 1100w" sizes="(max-width: 1024px) 100vw, 1024px" />															</div>
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									<p>During the past decade, limits to freedom of expression have shrunk online and offline public spaces in Hong Kong. Around 2004, several incidents demonstrated that the territory’s freedom of speech and media autonomy were being threatened.</p><p>Founding HK In-Media was part of a society-wide movement against political co-optation and commercialization in Hong Kong. HK In-Media also drew strength from interacting with forces outside Hong Kong.</p><p>For example, the 2005 anti-WTO demonstrations brought independent media activists throughout Asia to the neighborhood of HK In-Media. The organization has also collaborated with leading NGOs and foundations in other countries.</p>								</div>
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									<h5><strong>Why did we select it?</strong></h5><p>It is notable for its impressive archive of news and discussion accumulated over ten years. The online archive is a rare resource on social movements and grassroots activism in Hong Kong, for journalists, researchers, students and citizens.</p>								</div>
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										<img loading="lazy" decoding="async" width="300" height="224" src="https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic3-300x224.jpg" class="attachment-medium size-medium wp-image-1937" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic3-300x224.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic3-768x575.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic3-570x427.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/07/HKIM-pic3.jpg 898w" sizes="(max-width: 300px) 100vw, 300px" />											<figcaption class="widget-image-caption wp-caption-text">Urging pro-democracy protesters to donate to HK In-Media</figcaption>
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									<p>The information is often detailed and rich with contexts, causes, and consequences for critical events, including the 2007 construction worker strike, the 2009-2010 anti-high speed rail movement, and the 2012 anti-patriotic education campaign.</p>								</div>
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									<p>Although independent media in Hong Kong dates back to the 1960s, HK In-Media has successfully capitalized on the opportunities provided by digital media to expose the public to a wide range of topics, especially those related to social movements, freedom of the press, and social issues facing disadvantaged groups.</p>								</div>
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				<div class="elementor-element elementor-element-059e726 elementor-widget elementor-widget-heading" data-id="059e726" data-element_type="widget" data-e-type="widget" data-widget_type="heading.default">
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				</div>
		]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Mediapart</title>
		<link>https://multiplejournalism.org/case/networks/mediapart/</link>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Fri, 17 Apr 2026 02:26:35 +0000</pubDate>
				<category><![CDATA[Cases]]></category>
		<category><![CDATA[Networks]]></category>
		<guid isPermaLink="false">https://multiplejournalism.org/?p=1495</guid>

					<description><![CDATA[A group of driven and accomplished French journalists in search of a new business model for creating a profitable independent press online.]]></description>
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									<h1><strong>Mediapart</strong></h1><p>A group of driven and accomplished French journalists in search of a new business model for creating a profitable independent press online.</p>								</div>
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									<p><strong>When</strong></p><p>2007</p><p><strong>Where</strong> </p><p>France</p><p><strong>Who</strong> </p><p><span class="article-meta__data js-read-more">Edwy Plenel, François Bonnet, Laurent Mauduit, Gérard Desportes</span></p><p><strong>Website</strong></p><p><a href="https://www.mediapart.fr/en/english" target="_blank" rel="noopener">mediapart.fr</a></p>								</div>
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									<h5><strong>What is it?</strong></h5><p>After former editor-in-chief Edwy Plenel left French daily Le Monde in 2005 as a result of a fundamental dispute about the ownership of the newspaper, he joined his former managing editor Laurent Mauduit, former Libération editor-in-chief Gérard Desportes and François Bonnet (Le Monde, Libération, Marianne) to launch a new journalistic project.</p><p>Mediapart sought to be independent from advertising revenues and companies that are not primarily concerned with journalism, like the ones that own Canal+, Le Monde, Libération, and many other media outlets in France. A poster in Plenel&#8217;s office reading &#8220;Seul nos lecteurs peuvent nous acheter&#8221; (“only our readers can buy us”) reminds the journalists of this objective every day.</p><figure style="width: 450px" class="wp-caption alignleft"><img loading="lazy" decoding="async" src="https://bramalkema.github.io/multiplejournalism-static/uploads/shared/images/scaled/case_section_media/382.jpg" alt="" width="450" height="299" /><figcaption class="wp-caption-text">Introduction by Edwy Plenel (Mediapart event with François Hollande as guest, 6 months before being the official PS presidential candidate)</figcaption></figure><p>The founders insist Mediapart is not a website, but rather an online newspaper focused on investigative journalism while also covering current events. &#8220;From the start, for us, it has been newspaper. It is not a site, it is a newspaper. Yes, it is a newspaper. And I think we are really showing what a digital newspaper can be,&#8221; emphasizes Plenel.</p><p>They always aim to cover the current events from a different angle, using sources that do not usually appear in the traditional media. This is what according to editor-in-chief François Bonnet makes for the original editorial line of Mediapart.</p><p>Launching a newspaper online obviously costs much less than creating a print newspaper, but the founders also believe the online format has particular advantages. Publishing online provides journalists unlimited space, allowing the story to dictate the length and format of the piece, and provides opportunities to embed hyperlinks and interact with their readers.</p>								</div>
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									<h5><strong>How does it work?</strong></h5><p>Mediapart was meant to address what its founders perceived as a three-fold crisis in journalism with economic, moral and democratic dimensions.</p><p>To address the economic crisis, they needed to invent a business model for journalism that did not rely on debt, investment and advertisement revenues. Against the prevailing wisdom in 2007, which claimed that charging for online content would not work, they decided on a subscription model. Apart from the headlines and the first paragraph of each article on the home page, the longreads, podcasts and web documentaries are behind a paywall.</p>								</div>
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															<img loading="lazy" decoding="async" width="528" height="297" src="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart004-AndreaWagemans-lr-528x297.jpg" class="attachment-tc-ws-small-thumb size-tc-ws-small-thumb wp-image-1500" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart004-AndreaWagemans-lr-528x297.jpg 528w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart004-AndreaWagemans-lr-1110x624.jpg 1110w" sizes="(max-width: 528px) 100vw, 528px" />															</div>
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									<p>The homepage is updated three times a day, producing three daily editions with articles organised according to relevance instead of time of publication. Sometimes an article with very high relevance is even published in multiple editions. This distinguishes the online newspaper from news sites, where the most recent article is also on top of the homepage.</p>								</div>
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									<p>Subscribers can furthermore contribute blogs and discuss with journalists in the Le Club section of the website, which is also accessible to non-paying readers. A subscription costs 12 euros a month.</p>								</div>
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										<img loading="lazy" decoding="async" width="897" height="378" src="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans.png" class="attachment-large size-large wp-image-1501" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans.png 897w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans-300x126.png 300w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans-768x324.png 768w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans-570x240.png 570w" sizes="(max-width: 897px) 100vw, 897px" />											<figcaption class="widget-image-caption wp-caption-text">Membership growth in the first years after founding</figcaption>
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									<h5><strong>Why does it succeed?</strong></h5><p>The founders were journalists on a mission; apparently, it was one that resonated with a sufficient number of people. As the president of another French start-up put it: “I don&#8217;t think Mediapart&#8217;s subscribers all read the newspaper on a daily basis, but they feel like being a part of it.” Mediapart has come to resemble a community. Many of its subscribers see it as supporting a cause.</p><div class="section-media soundcloud"><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/241318998&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true" width="100%" height="450" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe><span class="credits__title">Laurent Mauriac, co-founder Rue89 and Brief.me</span> <span class="credits__meta">by Andrea Wagemans</span></div><p>To communicate this mission they had a very charismatic spokesperson in president Edwy Plenel, who employs a clear discourse and has a strong journalistic reputation. While editor-in-chief François Bonnet manages the editorial line and content production, Plenel makes sure the Mediapart story is heard in the outside world.</p><p>In order to fulfill their promise to publish quality content, Mediapart started out with a substantial team of 25 qualified journalists. They account for 2,5 million euros annually in employment costs; 70% of the total capital needed to create and run the online newspaper. Luckily, the founders were reputable and accomplished journalists, who invested a total of 1.325.000 euros of private capital. Also, they had a network of friends and acquaintances that together contributed 504.000 euros.</p><div class="section-media soundcloud"><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/246674297&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%" height="166" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe><span class="credits__title">President Edwy Plenel</span> by <span class="credits__meta">Andrea Wagemans</span></div><p>To develop their audience, they cleverly made use of opportunities when they came along, with the Bettencourt affair being the most important one. Publishing secretly taped phone calls that other media had passed on allowed for a major scoop, leading to extra media attention and a consequential doubling of the number of subscribers in the 6 months that followed.</p>								</div>
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									<h5><strong>Why did we select it?</strong></h5><p>Mediapart shows that there are business models available for making independent online journalism profitable. While researchers (Witsche &amp; Nygren 2009) note increasing pressure on online media to sell out in order to attract more readers—and thus advertisers—in order to survive, Mediapart aims to be completely funded through paid subscriptions in order to maintain its editorial independence.</p>								</div>
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															<img loading="lazy" decoding="async" width="680" height="1024" src="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-680x1024.jpg" class="attachment-large size-large wp-image-1558" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-680x1024.jpg 680w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-199x300.jpg 199w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-768x1157.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-570x858.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web.jpg 824w" sizes="(max-width: 680px) 100vw, 680px" />															</div>
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									<p>Mediapart’s readers are willing to subscribe to the online newspaper for 12 euros a month. Although a large part of their capital is still accounted for by the investment of the founders’ private money, they have been profitable since autumn 2010 and are working towards creating a foundation to use these profits to buy out the initial investors and become completely funded by its readers. For Mediapart’s founders, financial independence is a means to editorial independence.</p><p>When the online newspaper was launched in 2007 many believed it would fail, because its paid subscription model was still untested. This makes them a pioneer in new business models for online journalism. Ad revenues have been falling for years, forcing journalism to find revenue sources (Naldi and Picard 2012, Bruno and Kleis Nielsen 2012). However, few alternative options are available. And many of those who have tried charging for online journalism have failed.</p>								</div>
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									<p>Though Mediapart seems a rare case, its success reminds us that there is no excuse to not do journalism the way you think it should be done. Mediapart shows first that it is possible to find a new viable business model for online content, and second, that readers are willing to support what they consider good journalism. Just like the readers of De Correspondent and Follow the Money in The Netherlands, for example.</p>								</div>
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									<h5><strong>Extra</strong></h5><p>The English translation of the audio interview above with co-founder of Rue89 and <a href="http://Brief.me">Brief.me</a>, Laurent Mauriac:</p><p>“For my part, I think Mediapart’s success is two-fold. It’s a journalistic success, but not merely that. I think that it has also been a success in the motivation of Mediapart’s readers, and that’s linked to the personality of Edwy Plenel and the strength of his convictions. I think there’s also the idea of membership, of supporting a cause—a bit like a club in fact.&#8221;</p><p>&#8220;And I think that the readers, the people of Mediapart, are proud to subscribe. But they don’t have a relationship with Mediapart like with traditional media, which is to say I am not sure that all subscribers of Mediapart read it everyday, for instance.&#8221;</p><p><img decoding="async" src="https://bramalkema.github.io/multiplejournalism-static/uploads/shared/images/scaled/case_section_media/390.jpg" alt="" /><br /><em>Laurent Mauriac</em></p><p>But they are members everyday?</p><p>&#8220;They are happy they are members, there’s a feeling of membership, exactly.&#8221;</p><p>And you have learned something from Mediapart as well, or it’s a specific case?</p><p>&#8220;I think that it’s a specific case, yes. I think that Mediapart often says, look, we are a laboratory and we show the way for other media. But for my part I am a bit skeptical about the possibility of applying this formula. I think it’s a unique case.&#8221;</p><p>Why?</p><p>&#8220;Because as I explained, the personality of Edwy Plenel and all the stories that have emerged, the feelings of membership, the notion of subscribing, these are all things that are difficult to replicate.&#8221;</p><p>The English translation of the audio interview above with Mediapart&#8217;s president Edwy Plenel:</p><p>“There were several challenges. First, we faced the challenge of independence. And, second, we faced a challenge of experimentation with respect to those who, in 2007 and 2008 when the project was conceived and launched, said that information was free on the internet—that information should be free on the internet. Everyone was saying that people wouldn’t go to just a newspaper but that people would surf around and that news readers were the trend. The other nonsense people insisted upon at the time was that the internet implied short formats.</p><figure id="attachment_1559" aria-describedby="caption-attachment-1559" style="width: 300px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="size-medium wp-image-1559" src="https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-300x300.jpg" alt="" width="300" height="300" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-300x300.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-150x150.jpg 150w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-768x770.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-570x571.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-510x510.jpg 510w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web.jpg 959w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption id="caption-attachment-1559" class="wp-caption-text">Edwy Plenel standing in the studio before airtime</figcaption></figure><p>Basically, those three things refer to what sociologists would consider to be “technical illusions”—this idea that it’s the technical side that shapes how things are used, whereas it’s the way things are used that determines what we do technically. Unless we let ourselves be dominated by it. But it’s the ways things are used that allows us to do things. And we have shown that with the internet, people were ready to read a newspaper, to become loyal as an audience, and that hyperlinks also allowed them to do richer, more profound, and more lasting things than could be done in the confines of a printed paper.</p><p>And we showed that all of this could create value, because every industrial revolution is a battle about value. There’s a battle over distributing value and a battle over creating value. So we wanted to show that we could create value and to do it in a way that would profit those who create rather than the shareholders.&#8221;</p>								</div>
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					<h6 class="elementor-heading-title elementor-size-default">Related Cases</h6>				</div>
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		<title>Mídia Ninja</title>
		<link>https://multiplejournalism.org/case/networks/midia-ninja/</link>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Sat, 21 Feb 2026 11:03:42 +0000</pubDate>
				<category><![CDATA[Cases]]></category>
		<category><![CDATA[Networks]]></category>
		<guid isPermaLink="false">https://multiplejournalism.org/?p=1076</guid>

					<description><![CDATA[An activist journalism network specializing in real time broadcasting.]]></description>
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									<h1><strong>Mídia Ninja</strong></h1><p>An activist journalism network specializing in real time broadcasting.</p>								</div>
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									<p><strong>When</strong></p><p>2011</p><p><strong>Where</strong> </p><p>Brazil</p><p><strong>Who</strong> </p><p>Bruno Torturra and many others</p><p><strong>Website</strong></p><p><a href="https://midianinja.com/" target="_blank" rel="noopener">midianinja.com</a></p>								</div>
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									<p><strong>What is it?</strong></p><p>NINJA ­Independent Narratives, Journalism and Action­ (aka Ninja Media) is a decentralized network of volunteer journalists who produce and disseminate content based on collaborative work and online sharing. Ninjas are primarily involved in real time broadcasting, but also produce news stories, documentaries and investigative journalism in Brazil and abroad.</p><p>The collective became known internationally for its outstanding coverage of the 2013 Brazilian social protests but has existed since 2011. Its capillary organizational culture caters to the need for direct witnessing in an age of ubiquitous digital network communication.</p><p>Their statement on the Mídia Ninja website reads: <img loading="lazy" decoding="async" class="alignleft wp-image-1083 " src="https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-300x232.jpg" alt="" width="323" height="250" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-300x232.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-1024x791.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-768x593.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-570x440.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja.jpg 1282w" sizes="(max-width: 323px) 100vw, 323px" />“The Internet changed journalism and we are part of this transformation. We live in a peer-­to-­peer culture that allows people to share information without traditional mediators. New technologies and new forms of using technology have opened the way for new sharing spaces, in which people do not only passively absorb information, but produce and exchange information. In this new context &#8211; of networks connected to streets &#8211; multimedia citizens emerge with the capacity to make and share opinions in the virtual world. Connected, these new narrators make NINJA Media.”</p><p>Mídia Ninja emerged within the Circuito Fora do Eixo (&#8220;Off Axis Circuit&#8221;) a cultural cooperative founded in 2006 and devoted to fostering independent cultural production outside of mainstream broadcasting and radio systems in Brazil. Within Fora do Eixo a group of young journalists began to experiment with social media, blogs, and smartphones to report on the group&#8217;s activities, including concerts. This was the birth of Mídia Ninja. Its operational logic was based on using the web and spontaneous mobilization to create a network of independent, non-monetized production and diffusion practices.</p>								</div>
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									<p>Once a minimalist infrastructure for media production was established, the group confirmed its commitment to an agenda of social and civil rights reporting, but gradually expanded its scope by experimentally developing new forms of direct reporting not linked to Fora do Eixo events.</p><p>Mídia Ninja’s first work with a wider impact was the extensive coverage of the Marcha da Maconha (Marijuana March, May 21, 2011, Sao Paulo), a public pro-Cannabis and free speech demonstration, which was violently repressed by the police.</p>								</div>
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									<p><strong>How does it work?</strong></p><p>During the riots, the original group of ten Ninjas coming out of Fora do Eixo rapidly jumped to more than hundred. The majority were students, aged 18 to 24, with previous experience in social activism. For permanent video reporting on the protests, they used smartphones, small video cameras, light laptops and 3G Internet.</p><figure id="attachment_1090" aria-describedby="caption-attachment-1090" style="width: 645px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="wp-image-1090" src="https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team-300x201.png" alt="" width="645" height="432" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team-300x201.png 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team-768x515.png 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team-570x382.png 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team.png 771w" sizes="(max-width: 645px) 100vw, 645px" /><figcaption id="caption-attachment-1090" class="wp-caption-text"><span style="color: #ffffff;">Mídia Ninja from left to right: Filipe Marçal, Bianca Buteikis, Bruno Torturra, Felipe Altenfelder and Thiago Dezan</span></figcaption></figure><p>The unpaid, networked coverage of the riots simply emerged as a spontaneous, collaborative reporting act, facilitated and centralized by the Mídia Ninja creators, who had previously built the production infrastructure and communication network, including a web TV channel, significantly called Pós-TV (After TV).</p><p>Mídia Ninja co-founder Bruno Torturra has always insisted on his vision of journalism as a civic tool, in direct contact with reality, and on a radical philosophy that abjures editing. Sometimes, Mídia Ninja’s broadcasting simply consisted of a three or four hour-long take of one reporter showing images and talking with people.</p><p><img loading="lazy" decoding="async" class=" wp-image-1091 alignleft" src="https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-300x200.jpg" alt="" width="317" height="211" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-300x200.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-1024x683.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-768x512.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-1536x1025.jpg 1536w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-570x380.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web.jpg 2048w" sizes="(max-width: 317px) 100vw, 317px" /></p><p>Mídia Ninja is based on the advantages of the digital capture and editing revolution of the past decade, allowing the radicalization ofcorpo- a-corpoapproach and techniques inspired by war journalism and reporting. The idea behind its non-stop shooting is a direct sharing of experiences, e.g. when arrested at a Rio de Janeiro demonstration, one Ninja kept transmitting from inside the police car on his way to the local police station.</p>								</div>
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									<p>After the riots, Mídia Ninja gained international notoriety and went through a process of rethinking, with the intention of rewriting the rules of the collective and finding new ways to financial sustainability, professionalization, and long term independence.</p>								</div>
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									<p><strong>Why did we select it?</strong></p><p>The agility of Mídia Ninja&#8217;s networked organizational form takes full advantage of the digital revolution to provide better journalism. It allows journalists &#8220;to be there at the right moment&#8221;, without a big, expensive infrastructure. They reinforce independent journalism by challenging the news monopoly of traditional media corporations. With its coverage of the 2013 riots, it illustrated a power shift taking shape on the ground.</p>								</div>
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									<p>Furthermore, Mídia Ninja has radically de-monetized news production and consumption and reframed journalism as a public good. Lastly, they revitalized the use of non-edited and live video reports, raising public debate about the definition of journalism in the 21st century. While Ninja’s critics have argued that good journalism always involves conscious and careful selection of relevant facts and analysis, Ninjas have emphasized that the decision to be at a certain place at a certain time, or to point the camera in a certain direction, are also editorial decisions. </p>								</div>
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									<p>Mídia Ninja’s riot coverage reminds us that new situations require new approaches and a continuous negotiation of arrangements.</p>								</div>
				</div>
					</div>
				</div>
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				<article class="elementor-post elementor-grid-item post-2178 post type-post status-publish format-standard has-post-thumbnail category-case category-networks tag-networks tag-video-journalism tag-worldview czr-hentry" role="listitem">
				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/networks/metropolis-tv/" tabindex="-1" >
			<div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="300" height="169" src="https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-300x169.jpg" class="attachment-medium size-medium wp-image-2188" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-300x169.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-1024x576.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-768x432.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-1536x864.jpg 1536w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-2048x1152.jpg 2048w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-570x321.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-1110x624.jpg 1110w, https://multiplejournalism.org/wp-content/uploads/2026/11/Metropolis-pic-528x297.jpg 528w" sizes="(max-width: 300px) 100vw, 300px" /></div>
		</a>
				<div class="elementor-post__text">
				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/networks/metropolis-tv/" >
				Metropolis TV			</a>
		</h3>
				<div class="elementor-post__excerpt">
			<p>A weekly TV foreign affairs magazine and website made by a global network of 50 video journalists contributing unique stories within the same broad theme.</p>
		</div>
				</div>
				</article>
				<article class="elementor-post elementor-grid-item post-1931 post type-post status-publish format-standard has-post-thumbnail category-case category-networks tag-networks czr-hentry" role="listitem">
				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/networks/hong-kong-in-media/" tabindex="-1" >
			<div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="264" height="240" src="https://multiplejournalism.org/wp-content/uploads/2026/07/Inmedia_logo.svg" class="attachment-medium size-medium wp-image-1932" alt="" /></div>
		</a>
				<div class="elementor-post__text">
				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/networks/hong-kong-in-media/" >
				Hong Kong In-Media			</a>
		</h3>
				<div class="elementor-post__excerpt">
			<p>An open public platform, free from political intervention and commercial influence, which promotes democracy and freedom of speech in Hong Kong.</p>
		</div>
				</div>
				</article>
				<article class="elementor-post elementor-grid-item post-1495 post type-post status-publish format-standard has-post-thumbnail category-case category-networks tag-networks czr-hentry" role="listitem">
				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/networks/mediapart/" tabindex="-1" >
			<div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="300" height="89" src="https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr-300x89.jpg" class="attachment-medium size-medium wp-image-1498" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr-300x89.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr-768x229.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr-570x170.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr.jpg 940w" sizes="(max-width: 300px) 100vw, 300px" /></div>
		</a>
				<div class="elementor-post__text">
				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/networks/mediapart/" >
				Mediapart			</a>
		</h3>
				<div class="elementor-post__excerpt">
			<p>A group of driven and accomplished French journalists in search of a new business model for creating a profitable independent press online.</p>
		</div>
				</div>
				</article>
				<article class="elementor-post elementor-grid-item post-1076 post type-post status-publish format-standard has-post-thumbnail category-case category-networks tag-networks czr-hentry" role="listitem">
				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/networks/midia-ninja/" tabindex="-1" >
			<div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="300" height="171" src="https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-300x171.jpg" class="attachment-medium size-medium wp-image-1089" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-300x171.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-1024x582.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-768x437.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-570x324.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web.jpg 1206w" sizes="(max-width: 300px) 100vw, 300px" /></div>
		</a>
				<div class="elementor-post__text">
				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/networks/midia-ninja/" >
				Mídia Ninja			</a>
		</h3>
				<div class="elementor-post__excerpt">
			<p>An activist journalism network specializing in real time broadcasting.</p>
		</div>
				</div>
				</article>
				</div>
		
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