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	<title>Networks &#8211; Multiple Journalism</title>
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	<title>Networks &#8211; Multiple Journalism</title>
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		<title>Mediapart</title>
		<link>https://multiplejournalism.org/case/networks/mediapart/</link>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Fri, 17 Apr 2026 02:26:35 +0000</pubDate>
				<category><![CDATA[Cases]]></category>
		<category><![CDATA[Networks]]></category>
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					<description><![CDATA[A group of driven and accomplished French journalists in search of a new business model for creating a profitable independent press online.]]></description>
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									<h1><strong>Mediapart</strong></h1><p>A group of driven and accomplished French journalists in search of a new business model for creating a profitable independent press online.</p>								</div>
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									<p><strong>When</strong></p><p>2007</p><p><strong>Where</strong> </p><p>France</p><p><strong>Who</strong> </p><p><span class="article-meta__data js-read-more">Edwy Plenel, François Bonnet, Laurent Mauduit, Gérard Desportes</span></p><p><strong>Website</strong></p><p><a href="https://www.mediapart.fr/en/english" target="_blank" rel="noopener">mediapart.fr</a></p>								</div>
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									<h5><strong>What is it?</strong></h5><p>After former editor-in-chief Edwy Plenel left French daily Le Monde in 2005 as a result of a fundamental dispute about the ownership of the newspaper, he joined his former managing editor Laurent Mauduit, former Libération editor-in-chief Gérard Desportes and François Bonnet (Le Monde, Libération, Marianne) to launch a new journalistic project.</p><p>Mediapart sought to be independent from advertising revenues and companies that are not primarily concerned with journalism, like the ones that own Canal+, Le Monde, Libération, and many other media outlets in France. A poster in Plenel&#8217;s office reading &#8220;Seul nos lecteurs peuvent nous acheter&#8221; (“only our readers can buy us”) reminds the journalists of this objective every day.</p><figure style="width: 450px" class="wp-caption alignleft"><img fetchpriority="high" decoding="async" src="https://bramalkema.github.io/multiplejournalism-static/uploads/shared/images/scaled/case_section_media/382.jpg" alt="" width="450" height="299" /><figcaption class="wp-caption-text">Introduction by Edwy Plenel (Mediapart event with François Hollande as guest, 6 months before being the official PS presidential candidate)</figcaption></figure><p>The founders insist Mediapart is not a website, but rather an online newspaper focused on investigative journalism while also covering current events. &#8220;From the start, for us, it has been newspaper. It is not a site, it is a newspaper. Yes, it is a newspaper. And I think we are really showing what a digital newspaper can be,&#8221; emphasizes Plenel.</p><p>They always aim to cover the current events from a different angle, using sources that do not usually appear in the traditional media. This is what according to editor-in-chief François Bonnet makes for the original editorial line of Mediapart.</p><p>Launching a newspaper online obviously costs much less than creating a print newspaper, but the founders also believe the online format has particular advantages. Publishing online provides journalists unlimited space, allowing the story to dictate the length and format of the piece, and provides opportunities to embed hyperlinks and interact with their readers.</p>								</div>
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									<h5><strong>How does it work?</strong></h5><p>Mediapart was meant to address what its founders perceived as a three-fold crisis in journalism with economic, moral and democratic dimensions.</p><p>To address the economic crisis, they needed to invent a business model for journalism that did not rely on debt, investment and advertisement revenues. Against the prevailing wisdom in 2007, which claimed that charging for online content would not work, they decided on a subscription model. Apart from the headlines and the first paragraph of each article on the home page, the longreads, podcasts and web documentaries are behind a paywall.</p>								</div>
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															<img decoding="async" width="528" height="297" src="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart004-AndreaWagemans-lr-528x297.jpg" class="attachment-tc-ws-small-thumb size-tc-ws-small-thumb wp-image-1500" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart004-AndreaWagemans-lr-528x297.jpg 528w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart004-AndreaWagemans-lr-1110x624.jpg 1110w" sizes="(max-width: 528px) 100vw, 528px" />															</div>
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									<p>The homepage is updated three times a day, producing three daily editions with articles organised according to relevance instead of time of publication. Sometimes an article with very high relevance is even published in multiple editions. This distinguishes the online newspaper from news sites, where the most recent article is also on top of the homepage.</p>								</div>
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									<p>Subscribers can furthermore contribute blogs and discuss with journalists in the Le Club section of the website, which is also accessible to non-paying readers. A subscription costs 12 euros a month.</p>								</div>
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										<img decoding="async" width="897" height="378" src="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans.png" class="attachment-large size-large wp-image-1501" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans.png 897w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans-300x126.png 300w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans-768x324.png 768w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart005-AndreaWagemans-570x240.png 570w" sizes="(max-width: 897px) 100vw, 897px" />											<figcaption class="widget-image-caption wp-caption-text">Membership growth in the first years after founding</figcaption>
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									<h5><strong>Why does it succeed?</strong></h5><p>The founders were journalists on a mission; apparently, it was one that resonated with a sufficient number of people. As the president of another French start-up put it: “I don&#8217;t think Mediapart&#8217;s subscribers all read the newspaper on a daily basis, but they feel like being a part of it.” Mediapart has come to resemble a community. Many of its subscribers see it as supporting a cause.</p><div class="section-media soundcloud"><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/241318998&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true" width="100%" height="450" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe><span class="credits__title">Laurent Mauriac, co-founder Rue89 and Brief.me</span> <span class="credits__meta">by Andrea Wagemans</span></div><p>To communicate this mission they had a very charismatic spokesperson in president Edwy Plenel, who employs a clear discourse and has a strong journalistic reputation. While editor-in-chief François Bonnet manages the editorial line and content production, Plenel makes sure the Mediapart story is heard in the outside world.</p><p>In order to fulfill their promise to publish quality content, Mediapart started out with a substantial team of 25 qualified journalists. They account for 2,5 million euros annually in employment costs; 70% of the total capital needed to create and run the online newspaper. Luckily, the founders were reputable and accomplished journalists, who invested a total of 1.325.000 euros of private capital. Also, they had a network of friends and acquaintances that together contributed 504.000 euros.</p><div class="section-media soundcloud"><iframe src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/246674297&amp;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false" width="100%" height="166" frameborder="no" scrolling="no" data-mce-fragment="1"></iframe><span class="credits__title">President Edwy Plenel</span> by <span class="credits__meta">Andrea Wagemans</span></div><p>To develop their audience, they cleverly made use of opportunities when they came along, with the Bettencourt affair being the most important one. Publishing secretly taped phone calls that other media had passed on allowed for a major scoop, leading to extra media attention and a consequential doubling of the number of subscribers in the 6 months that followed.</p>								</div>
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									<h5><strong>Why did we select it?</strong></h5><p>Mediapart shows that there are business models available for making independent online journalism profitable. While researchers (Witsche &amp; Nygren 2009) note increasing pressure on online media to sell out in order to attract more readers—and thus advertisers—in order to survive, Mediapart aims to be completely funded through paid subscriptions in order to maintain its editorial independence.</p>								</div>
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															<img loading="lazy" decoding="async" width="680" height="1024" src="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-680x1024.jpg" class="attachment-large size-large wp-image-1558" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-680x1024.jpg 680w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-199x300.jpg 199w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-768x1157.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web-570x858.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/04/20151111-Mediapart003-AndreaWagemans-web.jpg 824w" sizes="(max-width: 680px) 100vw, 680px" />															</div>
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									<p>Mediapart’s readers are willing to subscribe to the online newspaper for 12 euros a month. Although a large part of their capital is still accounted for by the investment of the founders’ private money, they have been profitable since autumn 2010 and are working towards creating a foundation to use these profits to buy out the initial investors and become completely funded by its readers. For Mediapart’s founders, financial independence is a means to editorial independence.</p><p>When the online newspaper was launched in 2007 many believed it would fail, because its paid subscription model was still untested. This makes them a pioneer in new business models for online journalism. Ad revenues have been falling for years, forcing journalism to find revenue sources (Naldi and Picard 2012, Bruno and Kleis Nielsen 2012). However, few alternative options are available. And many of those who have tried charging for online journalism have failed.</p>								</div>
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									<p>Though Mediapart seems a rare case, its success reminds us that there is no excuse to not do journalism the way you think it should be done. Mediapart shows first that it is possible to find a new viable business model for online content, and second, that readers are willing to support what they consider good journalism. Just like the readers of De Correspondent and Follow the Money in The Netherlands, for example.</p>								</div>
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									<h5><strong>Extra</strong></h5><p>The English translation of the audio interview above with co-founder of Rue89 and <a href="http://Brief.me">Brief.me</a>, Laurent Mauriac:</p><p>“For my part, I think Mediapart’s success is two-fold. It’s a journalistic success, but not merely that. I think that it has also been a success in the motivation of Mediapart’s readers, and that’s linked to the personality of Edwy Plenel and the strength of his convictions. I think there’s also the idea of membership, of supporting a cause—a bit like a club in fact.&#8221;</p><p>&#8220;And I think that the readers, the people of Mediapart, are proud to subscribe. But they don’t have a relationship with Mediapart like with traditional media, which is to say I am not sure that all subscribers of Mediapart read it everyday, for instance.&#8221;</p><p><img decoding="async" src="https://bramalkema.github.io/multiplejournalism-static/uploads/shared/images/scaled/case_section_media/390.jpg" alt="" /><br /><em>Laurent Mauriac</em></p><p>But they are members everyday?</p><p>&#8220;They are happy they are members, there’s a feeling of membership, exactly.&#8221;</p><p>And you have learned something from Mediapart as well, or it’s a specific case?</p><p>&#8220;I think that it’s a specific case, yes. I think that Mediapart often says, look, we are a laboratory and we show the way for other media. But for my part I am a bit skeptical about the possibility of applying this formula. I think it’s a unique case.&#8221;</p><p>Why?</p><p>&#8220;Because as I explained, the personality of Edwy Plenel and all the stories that have emerged, the feelings of membership, the notion of subscribing, these are all things that are difficult to replicate.&#8221;</p><p>The English translation of the audio interview above with Mediapart&#8217;s president Edwy Plenel:</p><p>“There were several challenges. First, we faced the challenge of independence. And, second, we faced a challenge of experimentation with respect to those who, in 2007 and 2008 when the project was conceived and launched, said that information was free on the internet—that information should be free on the internet. Everyone was saying that people wouldn’t go to just a newspaper but that people would surf around and that news readers were the trend. The other nonsense people insisted upon at the time was that the internet implied short formats.</p><figure id="attachment_1559" aria-describedby="caption-attachment-1559" style="width: 300px" class="wp-caption alignleft"><img loading="lazy" decoding="async" class="size-medium wp-image-1559" src="https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-300x300.jpg" alt="" width="300" height="300" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-300x300.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-150x150.jpg 150w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-768x770.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-570x571.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web-510x510.jpg 510w, https://multiplejournalism.org/wp-content/uploads/2026/04/20160110-Mediapart008-web.jpg 959w" sizes="(max-width: 300px) 100vw, 300px" /><figcaption id="caption-attachment-1559" class="wp-caption-text">Edwy Plenel standing in the studio before airtime</figcaption></figure><p>Basically, those three things refer to what sociologists would consider to be “technical illusions”—this idea that it’s the technical side that shapes how things are used, whereas it’s the way things are used that determines what we do technically. Unless we let ourselves be dominated by it. But it’s the ways things are used that allows us to do things. And we have shown that with the internet, people were ready to read a newspaper, to become loyal as an audience, and that hyperlinks also allowed them to do richer, more profound, and more lasting things than could be done in the confines of a printed paper.</p><p>And we showed that all of this could create value, because every industrial revolution is a battle about value. There’s a battle over distributing value and a battle over creating value. So we wanted to show that we could create value and to do it in a way that would profit those who create rather than the shareholders.&#8221;</p>								</div>
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				Mídia Ninja			</a>
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			<p>An activist journalism network specializing in real time broadcasting.</p>
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		<title>Mídia Ninja</title>
		<link>https://multiplejournalism.org/case/networks/midia-ninja/</link>
		
		<dc:creator><![CDATA[Devid Ilievski]]></dc:creator>
		<pubDate>Sat, 21 Feb 2026 11:03:42 +0000</pubDate>
				<category><![CDATA[Cases]]></category>
		<category><![CDATA[Networks]]></category>
		<guid isPermaLink="false">https://multiplejournalism.org/?p=1076</guid>

					<description><![CDATA[An activist journalism network specializing in real time broadcasting.]]></description>
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									<h1><strong>Mídia Ninja</strong></h1><p>An activist journalism network specializing in real time broadcasting.</p>								</div>
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									<p><strong>When</strong></p><p>2011</p><p><strong>Where</strong> </p><p>Brazil</p><p><strong>Who</strong> </p><p>Bruno Torturra and many others</p><p><strong>Website</strong></p><p><a href="https://midianinja.com/" target="_blank" rel="noopener">midianinja.com</a></p>								</div>
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									<p><strong>What is it?</strong></p><p>NINJA ­Independent Narratives, Journalism and Action­ (aka Ninja Media) is a decentralized network of volunteer journalists who produce and disseminate content based on collaborative work and online sharing. Ninjas are primarily involved in real time broadcasting, but also produce news stories, documentaries and investigative journalism in Brazil and abroad.</p><p>The collective became known internationally for its outstanding coverage of the 2013 Brazilian social protests but has existed since 2011. Its capillary organizational culture caters to the need for direct witnessing in an age of ubiquitous digital network communication.</p><p>Their statement on the Mídia Ninja website reads: <img loading="lazy" decoding="async" class="alignleft wp-image-1083 " src="https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-300x232.jpg" alt="" width="323" height="250" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-300x232.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-1024x791.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-768x593.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja-570x440.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/1-Logo-Media-NInja.jpg 1282w" sizes="(max-width: 323px) 100vw, 323px" />“The Internet changed journalism and we are part of this transformation. We live in a peer-­to-­peer culture that allows people to share information without traditional mediators. New technologies and new forms of using technology have opened the way for new sharing spaces, in which people do not only passively absorb information, but produce and exchange information. In this new context &#8211; of networks connected to streets &#8211; multimedia citizens emerge with the capacity to make and share opinions in the virtual world. Connected, these new narrators make NINJA Media.”</p><p>Mídia Ninja emerged within the Circuito Fora do Eixo (&#8220;Off Axis Circuit&#8221;) a cultural cooperative founded in 2006 and devoted to fostering independent cultural production outside of mainstream broadcasting and radio systems in Brazil. Within Fora do Eixo a group of young journalists began to experiment with social media, blogs, and smartphones to report on the group&#8217;s activities, including concerts. This was the birth of Mídia Ninja. Its operational logic was based on using the web and spontaneous mobilization to create a network of independent, non-monetized production and diffusion practices.</p>								</div>
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										<img loading="lazy" decoding="async" width="1024" height="683" src="https://multiplejournalism.org/wp-content/uploads/2026/02/3-Midia-Ninja-Marijuana-March-web-1024x683.jpg" class="attachment-large size-large wp-image-1084" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/3-Midia-Ninja-Marijuana-March-web-1024x683.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/02/3-Midia-Ninja-Marijuana-March-web-300x200.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/3-Midia-Ninja-Marijuana-March-web-768x512.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/3-Midia-Ninja-Marijuana-March-web-1536x1024.jpg 1536w, https://multiplejournalism.org/wp-content/uploads/2026/02/3-Midia-Ninja-Marijuana-March-web-570x380.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/3-Midia-Ninja-Marijuana-March-web.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" />											<figcaption class="widget-image-caption wp-caption-text">The battle for opening a public debate on "the war on drugs" still continues with this recent Marijuana march (May 2014 in Rio de Janeiro)</figcaption>
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									<p>Once a minimalist infrastructure for media production was established, the group confirmed its commitment to an agenda of social and civil rights reporting, but gradually expanded its scope by experimentally developing new forms of direct reporting not linked to Fora do Eixo events.</p><p>Mídia Ninja’s first work with a wider impact was the extensive coverage of the Marcha da Maconha (Marijuana March, May 21, 2011, Sao Paulo), a public pro-Cannabis and free speech demonstration, which was violently repressed by the police.</p>								</div>
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									<p><strong>How does it work?</strong></p><p>During the riots, the original group of ten Ninjas coming out of Fora do Eixo rapidly jumped to more than hundred. The majority were students, aged 18 to 24, with previous experience in social activism. For permanent video reporting on the protests, they used smartphones, small video cameras, light laptops and 3G Internet.</p><figure id="attachment_1090" aria-describedby="caption-attachment-1090" style="width: 645px" class="wp-caption alignnone"><img loading="lazy" decoding="async" class="wp-image-1090" src="https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team-300x201.png" alt="" width="645" height="432" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team-300x201.png 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team-768x515.png 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team-570x382.png 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/6-Midia-Ninja-team.png 771w" sizes="(max-width: 645px) 100vw, 645px" /><figcaption id="caption-attachment-1090" class="wp-caption-text"><span style="color: #ffffff;">Mídia Ninja from left to right: Filipe Marçal, Bianca Buteikis, Bruno Torturra, Felipe Altenfelder and Thiago Dezan</span></figcaption></figure><p>The unpaid, networked coverage of the riots simply emerged as a spontaneous, collaborative reporting act, facilitated and centralized by the Mídia Ninja creators, who had previously built the production infrastructure and communication network, including a web TV channel, significantly called Pós-TV (After TV).</p><p>Mídia Ninja co-founder Bruno Torturra has always insisted on his vision of journalism as a civic tool, in direct contact with reality, and on a radical philosophy that abjures editing. Sometimes, Mídia Ninja’s broadcasting simply consisted of a three or four hour-long take of one reporter showing images and talking with people.</p><p><img loading="lazy" decoding="async" class=" wp-image-1091 alignleft" src="https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-300x200.jpg" alt="" width="317" height="211" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-300x200.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-1024x683.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-768x512.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-1536x1025.jpg 1536w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web-570x380.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.1.1-Midia-Ninja-DEMO-web.jpg 2048w" sizes="(max-width: 317px) 100vw, 317px" /></p><p>Mídia Ninja is based on the advantages of the digital capture and editing revolution of the past decade, allowing the radicalization ofcorpo- a-corpoapproach and techniques inspired by war journalism and reporting. The idea behind its non-stop shooting is a direct sharing of experiences, e.g. when arrested at a Rio de Janeiro demonstration, one Ninja kept transmitting from inside the police car on his way to the local police station.</p>								</div>
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									<p>After the riots, Mídia Ninja gained international notoriety and went through a process of rethinking, with the intention of rewriting the rules of the collective and finding new ways to financial sustainability, professionalization, and long term independence.</p>								</div>
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										<img loading="lazy" decoding="async" width="1024" height="681" src="https://multiplejournalism.org/wp-content/uploads/2026/02/4.4-Tropa_de_choque_PMERJ_2013-web-1024x681.jpg" class="attachment-large size-large wp-image-1092" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/4.4-Tropa_de_choque_PMERJ_2013-web-1024x681.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.4-Tropa_de_choque_PMERJ_2013-web-300x200.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.4-Tropa_de_choque_PMERJ_2013-web-768x511.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.4-Tropa_de_choque_PMERJ_2013-web-1536x1022.jpg 1536w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.4-Tropa_de_choque_PMERJ_2013-web-2048x1363.jpg 2048w, https://multiplejournalism.org/wp-content/uploads/2026/02/4.4-Tropa_de_choque_PMERJ_2013-web-570x379.jpg 570w" sizes="(max-width: 1024px) 100vw, 1024px" />											<figcaption class="widget-image-caption wp-caption-text">Tropa de Choque in 2013</figcaption>
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									<p><strong>Why did we select it?</strong></p><p>The agility of Mídia Ninja&#8217;s networked organizational form takes full advantage of the digital revolution to provide better journalism. It allows journalists &#8220;to be there at the right moment&#8221;, without a big, expensive infrastructure. They reinforce independent journalism by challenging the news monopoly of traditional media corporations. With its coverage of the 2013 riots, it illustrated a power shift taking shape on the ground.</p>								</div>
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				<div class="elementor-element elementor-element-58f3839 elementor-widget elementor-widget-video" data-id="58f3839" data-element_type="widget" data-e-type="widget" data-settings="{&quot;video_type&quot;:&quot;vimeo&quot;}" data-widget_type="video.default">
							<div class="elementor-wrapper elementor-open-inline">
			<iframe class="elementor-video-iframe" allowfullscreen allow="clipboard-write" title="vimeo Video Player" src="https://player.vimeo.com/video/109523826?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t="></iframe>		</div>
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									<p>Furthermore, Mídia Ninja has radically de-monetized news production and consumption and reframed journalism as a public good. Lastly, they revitalized the use of non-edited and live video reports, raising public debate about the definition of journalism in the 21st century. While Ninja’s critics have argued that good journalism always involves conscious and careful selection of relevant facts and analysis, Ninjas have emphasized that the decision to be at a certain place at a certain time, or to point the camera in a certain direction, are also editorial decisions. </p>								</div>
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									<p>Mídia Ninja’s riot coverage reminds us that new situations require new approaches and a continuous negotiation of arrangements.</p>								</div>
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				<article class="elementor-post elementor-grid-item post-1495 post type-post status-publish format-standard has-post-thumbnail category-case category-networks tag-networks czr-hentry" role="listitem">
				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/networks/mediapart/" tabindex="-1" >
			<div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="300" height="89" src="https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr-300x89.jpg" class="attachment-medium size-medium wp-image-1498" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr-300x89.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr-768x229.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr-570x170.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/04/entete-petit-robert-lang-fr.jpg 940w" sizes="(max-width: 300px) 100vw, 300px" /></div>
		</a>
				<div class="elementor-post__text">
				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/networks/mediapart/" >
				Mediapart			</a>
		</h3>
				<div class="elementor-post__excerpt">
			<p>A group of driven and accomplished French journalists in search of a new business model for creating a profitable independent press online.</p>
		</div>
				</div>
				</article>
				<article class="elementor-post elementor-grid-item post-1076 post type-post status-publish format-standard has-post-thumbnail category-case category-networks tag-networks czr-hentry" role="listitem">
				<a class="elementor-post__thumbnail__link" href="https://multiplejournalism.org/case/networks/midia-ninja/" tabindex="-1" >
			<div class="elementor-post__thumbnail"><img loading="lazy" decoding="async" width="300" height="171" src="https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-300x171.jpg" class="attachment-medium size-medium wp-image-1089" alt="" srcset="https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-300x171.jpg 300w, https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-1024x582.jpg 1024w, https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-768x437.jpg 768w, https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web-570x324.jpg 570w, https://multiplejournalism.org/wp-content/uploads/2026/02/2.2-Midia-Ninja-header-web.jpg 1206w" sizes="(max-width: 300px) 100vw, 300px" /></div>
		</a>
				<div class="elementor-post__text">
				<h3 class="elementor-post__title">
			<a href="https://multiplejournalism.org/case/networks/midia-ninja/" >
				Mídia Ninja			</a>
		</h3>
				<div class="elementor-post__excerpt">
			<p>An activist journalism network specializing in real time broadcasting.</p>
		</div>
				</div>
				</article>
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